Looking for:
Capture One Pro 12 Download.Capture One 22 () Released - Capture Integration |
Capture One Pro 12 Review - Whats New and Should You Upgrade?.
Capture one pro 12 gps free download.capture one 12 download
Most of the time, as I switch between these various sized color spaces, the software correctly converts them. I have a few black and white images processed in Capture One Pro, that change slightly in the Capture One Pro interface. A very import application of this soft proofing feature is that you can choose to view your images using either a specific profile, or always use the profile that you have selected from the Process Recipes list, regardless of where you are in the user interface.
This is an advantage in order to get a soft proofing view of your images before printing them. This way you simulate the white borders or matte around your print. To change the background color, change the Color for the Viewer under the Appearance tab in your Capture One Preferences. Also, while you are in the preferences, set a widish Proof Margin, say of around 30 pixels.
With that set you can easily turn on the Proof Margin with the button at the top left corner of the viewing area, next to where it says Background in this screenshot. Finally, if you have Viewer Labels turned on, showing shooting information and the filename below the large preview of your photo, turn that off by selecting Hide Viewer Labels, under the View menu.
Assuming you want to keep those changes and make further adjustments for your print, select Clone Variant from the shortcut menu. Another very useful feature in Capture One, especially when it comes to preparing to print, is the Color Readouts. Generally, when printing, you want to avoid total black and total white.
Select Add Color Readout from the bottom of the Picker tools, which is second from the right in the toolbar above the viewer in the below screenshot. Then, click on some of the key areas of your photograph. I like to check the darkest area, the brightest highlight, and a mid tone. When I placed these Color Readouts on my original, the background was 0, total black, and the shell was , which is pure white. So, I created a Clone Variant, and adjusted my Levels, to bring these values in just a little, which would be good printing practice.
You can see that now, in my resulting image, my darkest background has a luminance of 2. My brightest highlight, the shells on this Himba Girls traditional necklace, is Her face is Another option for checking the darkest and brightest areas of your print image, are the Exposure Warnings.
These can be turned on with the warning triangle icon. I set my highlight warnings at and my shadow warning at 2. If you want to make any other modifications for print, increasing contrast, changing the colors to stop them going out of gamut, now would be the time to do it. Just as I always printed from Lightroom, I love to be able to print right in my processing and workflow tool.
In Capture One Pro, you can hit the Print button from the top menu at any time, regardless of where you are in the program. The print window opens, and you get to select your settings. This is unlike Lightroom, where you go to the Print module to print.
We can create templates in Capture One Pro to save margin and layout information. However, it forgets about page size and ICC profiles whenever you close the program. Fortunately, these are quick settings to change, so select your paper size and the ICC profile for your printer and media combination from the Color Profile menu.
You may need to change this, depending on how sharp your original image is. Also, it may need to be increased for larger prints too. You can set your margins depending on how much border you want. You can see the dimensions I use in my Print Borders spreadsheet, which you can download here. Once you have entered your border dimensions, click the Templates pulldown, and select Save User Template.
In the above screenshot you can see that I called this one 18 x 24 inches borders. Another cool thing about Capture One is when you switch from Landscape to Portrait orientation, the borders automatically switches.
Consequently, I no longer have to save a separate template for each orientation. That was all for now.
If you have any questions or advice for this topic, please let me know in the comments. If you want to see or read more from me, feel free to visit my website: www. Martin Bailey is a nature and wildlife photographer based in Tokyo. Fueled by his passion for nature and travel, and a tireless desire to share his knowledge and artistic vision, Martin is a popular international tour and workshop leader, helping photographers from around the world to experience and capture the wonders of this awesome planet we call home.
Export for Web Process Recipe. Add a Watermark. Edit With Dialog. Soft Proofing for Print. Using Color Readouts. You can also remove tools as well to tailor each Tab exactly to your liking. If you want to reorder the Tab icons at the top of the Tools column, hold down the Command key and drag the icon to its new location.
It's a great feeling to get your Capture One Pro house in order. Now is the time to save your Workspace so you can return to it at any time. This is particularly handy if you have different workspaces for different workflows, or if you have multiple photographers using the same computer. Click on the three vertical dots at the top of the Tool Tab column.
Save the Workspace, and you're set. This is also where you can move the Tool Tabs column from one side of the interface to the other. Customizing your Tools workspace feels good and improves efficiency. And now that we have new tabs with a fresh design, this is the perfect time to tidy up your Capture One Pro interface. When we work on specific parts of our pictures, the editing process tends to slow down as we create masks and screens.
But in Capture One Pro, you can still work on segments of the photo, and do so quickly with Style Brushes. I used three different Style Brushes for a quick edit of this image. One for the sky, one for the sand, and another for the water. The Style Brushes panel is located beneath the Layers panel in the Exposure tab. If you open up the panel and click on Built-in Style Brushes, you'll see an array of adjustments for color, tone, and enhancements.
Simply choose the style brush you want, start painting, and Capture One Pro will create the new layer for you with the name of the brush. You can see the mask itself by pressing the M key, brush adjustments are located in the lower left of the panel the two arrows icon pointing opposite directions , and you can change the opacity of the adjustment with the Opacity Slider near the top of the panel. Once you've finished using a particular style brush, be sure to return to the Background layer for your overall edits such as Clarity and Sharpness.
Style Brushes are an often overlooked tool in Capture One Pro. But they are very handy for quick edits on specific areas of the image such as sky and foreground. But the feature I've been enjoying most is the Import Browser that makes it easy for me to decide what I want to bring into the catalog, and what to leave behind. Capture One Pro is a complete digital photo management and editing application for professional photographers and serious enthusiasts.
Photographers who appreciate outstanding RAW processing, expert color control, and logical organization should consider Capture One Pro for its comprehensive feature set.
In this course, professional photographer and instructor Derrick Story helps you learn the basics quickly, then takes you deeper into the application to master its finer points. For seasoned users, Derrick also covers all the new features in version 21, including Speed Edit, the Dehaze slider, and Style Brushes that allow you to enhance specific areas of a photo. To wrap up, he shares tips and techniques that can help you ensure your workflow is as efficient as possible.
When I'm out exploring urban settings at night with my Fujifilm XV , I often encounter mixed lighting situations. Because different types of bulbs are used, they are hard to tame with a single white balance adjustment. I applied a White Balance adjustment to this image, but still wasn't happy with the overall color. In Capture One Pro 20, my next step is to look at the color curve options.
I like these because they address the overall appearance of the photograph so the look hangs together as much as possible. One of my favorites for this type of challenge is the Classic Chrome curve available for Fujifilm cameras. Depending on your camera, the available options will be different in this menu.
Applying the Classic Chrome curve helped substantially. Getting better! I still wanted to tone down that odd yellowish color a bit more. I decreased the saturation and increased the lightness for that hue.
The Color Editor helped me tone down and brighten up that yellowish hue. Photo by Derrick Story. It will get you up and running in no time at all.
No credit card is required, and it's a fully functioning version. There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.
As new users come to Capture One Pro, I'm hearing a familiar question from them: Should I use a catalog or a session when I start a new library? My answer is: "Well, that depends. Catalog vs. If you do decide to use a session for a temporary work area, such as sorting out a wedding or taking your laptop on vacation, remember you can use the Import Session command to incorporate the session into your catalog, if you need to.
Even though I use catalogs the majority of the time, I do use sessions for my tethered shooting for product shots. If I want to add those images to my catalog, I can. But generally speaking, I don't. And I was reminded of that joy again today while editing this grape image. I really like the unique variety in this bunch, something that I don't see often. But there were also a few distracting elements that I knew I would have to address in post. Here's what it looked like before I started working on it.
Not edited version of grape shot. One of the biggest distractions for be was the ugly leaf just to the right of the grapes. In the old days, that would have guaranteed a trip to Photoshop. But the cloning and healing tools have improved a lot in Capture One. So I stayed home and addressed the issue there.
I actually started with the healing brush first, then touched up with the clone tool. Each on separate layers. I still have a bit more fine tuning to do, but it's coming along nicely. Here's a look at where I am now with the picture.
You can see the layers listed on the left of the screen. Editing in progress with the grapes. Another adjustment that I made was tandem radial screens for the grape bunch.
The first radial screen excluded the grapes and worked like a sophisticated vignette. Then I copied the mask, inverted it, and brightened up the fruit a bit. This is one of my favorite techniques. All in all, I have seven layers plus the background. They are very easy to manage, and quite powerful.
This has been the year of making my workflows better, and one of the improvements that I wanted to make was increasing the efficiency of creating product shots for TheFilmCameraShop. My theory was that using Capture One's excellent tethered capability would speed things up. And now that I've done it, I was right. Once the connection is made, the camera will appear in the Capture Tab where you have a myriad of options and controls.
You can either control the camera from the application, or as I do shoot with the camera using its shutter button and instantly view the image on the computer screen. The advantage of this is you're looking at a large, detailed rendering where you can inspect every detail on the fly and quickly before moving on to the next shot. There are no surprises with tethered photography. One of the features that really helps speed up this workflow is the "Copy from Last" setting in the "Next Capture Adjustments.
The application remembers those adjustments and applies them automatically to the next image. It's fantastic. The speed of the shoot really picks up at this point. Take a picture, adjustments applied, review it, take the next picture. I've set up my shooting bay next to the worktable with my iMac.
It's super convenient. My capture camera is a Nikon D with a modified focusing screen that gives me a micro prism collar and matte surface. BTW: the Voigtlander is a great lens for this task. It has a CPU chip for the Nikon, focuses as close as , and has beautiful image quality. But that feels like overkill for catalog product shots.
Too bad, because my EM-1 Mark II with the 30mm macro would be a great capture device for this workflow as well. Aside from that disappointment, what I really like about this system is that when I'm done with the shoot, I'm done.
I've totally eliminated the post production step. I've just improved my efficiency for creating new catalog pages. One final note: Product photography isn't the most glamorous activity when you're a street photographer at heart. But I have to say, using the classic Nikon D with an upgraded SLR-style focusing screen and the beautiful Ulton 40mm lens that's as smooth as butter to operate, has made this otherwise mundane task quite enjoyable. Switching to tethered with Capture One Pro was the icing on the cake.
As photographers, much of our image publishing is via the Web, which usually means that we reduce the size of the original image before posting. In Capture One Pro, as we simultaneously export and reduce size sample down , we can also compensate for any loss of detail that happens as we prepare the file for publishing.
In the export dialog box we can go to the Adjustments tab and set up Output Sharpening. Here's a look at that process. I like that there are options for both screen and print.
For example, if I know I'm going to print this image on matte paper, the output settings would be much different than those for gloss, or for a Web page for that matter. If you're curious about how easy output sharpening can be in Capture One Pro, watch the movie at the top of this article.
It's a solid introduction to this pro feature. Some applications have some form of output sharpening, but very few provide the control that's available to you in Capture One Pro. I was never a layers guy.
I wanted to be, but the software of the past just didn't resonate with me. Then, not too long ago, Capture One Pro introduced layers into their photo management and editing app. Everything changed for me well, at least with layers anyway. The key for me was their making layers just another function of the toolset. If I want to work on a particular area, such as a sky or foreground, but I'm not sure how successful I will be, I create a layer.
I start playing. If it works, it works. If it doesn't, no harm. I can always come back and fiddle with it later. The layers are available in all of the Tools panels. I can start in Exposure for example. But if I go over to the Color panel, my layer is there as well.
It's so easy, so logical. If you're curious about how fun and easy layers can be, watch the movie at the top of this article. It's just a brief introduction to this feature, but it will give you a good idea to what I'm talking about. Take a look at that video and see why.
I know that you've likely heard this from others as well, but maybe you just haven't had time to try it for yourself. Nose around a bit with the application, watch some of the free Phase One videos, get a feel for the environment.
Create a folder of images that you can use for your test library. I recommend a combination of RAW files and Jpegs from a variety of scenes. Make this a completely different folder in your Pictures directory so that it doesn't get confused with the source material for other apps. Start from the beginning with my latest online training and follow along with your own images or download the asset catalog that comes with the training.
Both trainings are the same and begin with a What's New section, a discussion on the app's strengths and weaknesses, and a simplified typical workflow to help you get off to a fast start. Once you start to feel a bit more comfortable with the software, I delve into basic color and exposure adjustments, optical fine tuning, layers and masks, more sophisticated color controls, managing your catalog, and efficiency tips.
If you love getting the most out of your RAW files and appreciate a logical image management catalog system, then this might be the time to take a serious look at Capture One Pro 20, and see what you think.
My guess is that you will find it time well spent. Phase One had announced earlier this week that they were the first to provide RAW support for the two new Fujifilm cameras. The app recognized the lens and allowed all of the lens corrections including CA, Distortion, diffraction correction, light falloff, and sharpness.
And the RAW files were very editable, including excellent highlight and shadow recovery. Just a note on film simulations: C1P allows you to apply any of them, including Velvia, Provia, Acros, etc. So as long as you captured the image in RAW, all of your Fujifilm options are always available. The particular simulations that show up in C1P are based on the camera you used.
If you're a Fujifilm photographer, and especially if you have one of their new cameras, Capture One Pro 20 RAW processing is definitely worth a look.
There are those times when you want to share a collection of images without tapping a 3rd party web service. One excellent option is Capture One's electronic contact sheet. Once you create an electronic contact sheet, you can put it on a flash drive, embed it on a web page, and even make a hard copy print.
In this short video, you can see how to make one for yourself. Electronic contact sheets are one of those tricks that you can keep in your back pocket for those times when you want to deliver a gallery on a flash drive or some other non-web-service approach. Plus, they are quite attractive. You can learn all the ins and outs of this amazing software in the comfort of your home, or even on your smartphone by watching my fast-paced training: Capture One Pro 12 Essential Training on LinkedIn Learning.
If you're a lynda. You will learn everything from image organization, to expert editing, to output and more. It will feel good to finally take control of your photo library with Capture One Pro It's available near the top of the View menu. It allows you to quickly control what you see in the thumbnail browser. This is from my essential training on LinkedIn Learning and lynda. There's also a cautionary note: Global Filters are sticky, so if you find files missing, that's probably the reason why!
This is just one of the many techniques that I cover in this course. Other topics include peppered with inside tips :. For those of you new to this application, I have a Quick Start chapter that gets you up and running in less than 20 minutes.
Yes, that's the entire workflow, start to finish, in less than half an hour. You can learn all the ins and outs of this amazing software in the comfort of your home, or even on your smartphone by watching this fast-paced training: Capture One Pro 12 Essential Training on LinkedIn Learning.
You can squeeze every drop of quality from your optics in Capture One Pro 12 by tapping the Lens Correction panel before editing your shot. Here you can enable profiles for your optics, adjust distortion, reduce light falloff, and even correct for diffraction.
Combine this capability with a good RAW file, and you can enjoy amazing image quality as a result. In this 4-minute video, I walk you through the steps for maximizing optical performance in Capture One Pro I don't apply Diffraction Correction to every image, only those where I think it's appropriate or can improve an important photograph.
It does use extra processing power, so I save it for those pictures that really count. If you want to stretch beyond the limitations of the vignette tool in Capture One Pro 12, I recommend getting familiar with the new radial mask option. It's far more flexible and powerful, yet you can learn how to use it in just 3 minutes.
Here's a video to show you how. The way that I approached editing the portrait in this video was by creating two radial masks on two different layers. The first one was designed to lighten the tones on the subject's face. The second mask, on another layer, darkened the tones for the background. By having two masks on different layers, I had complete control over the relationship between the compositional elements. And because it's so easy to do, I could build this effect in just minutes.
You can use the masks for more than just tones as well. I can adjust colors, clarity, and other aspects of the photo. Again, this is so much more powerful than a basic vignette tool. The latest version of Capture One Pro 12 is my favorite to date. Among the many new features, I love the way it handles luminosity masking. I can finally get my head around this useful image adjustment.
And there's so much more in this update. And I cover all the cool stuff. The software we have on the backend can help free us from cumbersome equipment at capture. One example is my "weekend kit" that I carry with me when out and about with family and friends. In one pocket, I have an iPhone X for all the usual reasons. And in the other, I often carry the Fujifilm XF Even though it fits in my front jeans pocket, it sports a lovely Fujinon aspherical lens and an APS-C image sensor.
Plus it communicates with the iPhone to record location data as I shoot. I love geotags! RAF file with the simple press of a button the the back of the camera.
By doing so, I have all of my options available to me later in post production. Once I return home, I have a specific workflow that helps me maximize the content that I've captured in the field. This latest version does a great job with Fujifilm RAW files, pulling out all of the color and detail.
Plus, while I'm there, I can fine tune the image a bit with the new Luminosity mask or a graduated screen. There are lots of things that I could do at this point. And to be honest, this is where most photographers will diverge from my workflow. But I'm going to tell you anyway. The image is automatically backed up and propagated to all of my devices. I can use it right away for Flickr, Instagram, Facebook, etc.
Plus, I have the good feeling of knowing that my favorite work is archived without any further effort on my behalf. The other reason is because the Luminar 3 editing extension is just so darn good.
The finishing touches I apply with that app really make a difference, and the changes are automatically saved to the images in iCloud. Side Note: Luminar 3 is on sale for 29 percent off through Feb. The rest of the images are backed up traditionally via hard drive in Capture One. But those favs You learn all the ins and outs of Luminar via my Essential Training on lynda.
It's fun, and I promise, you will improve your shots. You can also tune in on lynda. Stay tuned. It's no secret.
The vignette tool in Capture One Pro left plenty to be desired. But with the release of version 12, we now have the Radial Gradient Mask.
And suddenly, we have much better control for creating a vignette effect. Standard vignette in Capture One Pro. For portraits like this, the shading covers part of the face, and there's no way to position the effect. Photos by Derrick Story. You can toggle the red mask indicator on and off by pressing the M key.
More natural vignette effect using the radial gradient mask instead of the vignette tool. At first you may think that's it's more complicated to create a mask than just using the vignette slider. But to tell you the truth, once you've done it a couple times, it's just as easy Coming off the holidays, we're very much in a group shot frame of mind. As we should be, right? Gathering people together is an efficient and fun way to document the event.
But we sometimes forget the value of individual family portraits as well. And over the years, these are just as valuable because they give us as photographers the opportunity to capture the essence of the person we know. Zach at 22 years old.
Processed in Capture One Pro Once you process the shoot, be sure to share a gallery with a variety of poses with your subject. Chances are good that the version they like will differ from your favorite. That's OK. They can use the images for social, resumes, etc. Updating family portraits is an excellent creative project for After all, we don't want the shoe cobbler's kids to have bare feet. Either way, I have four hours of entertaining education that will help you master this excellent photo management and editing application.
I was among the many pleased photographers who exclaimed, "Finally! But a dozen Fujifilm cameras and another half dozen lenses were included as well. I was not disappointed. Take a look at the Garden Tomatoes shot above. The combination of the Fujifilm camera and Capture One Pro retains all that beautiful detail. The XF10 Jpegs are beautiful. And I shoot in that mode most of the time. And now, thanks to Capture One Pro The Keystone correction tool can be found in the Capture One's Lens Correction tab, and it's definitely worth a look.
It makes it easy to straighten both vertical and horizontal converging lines - the types of distortion that we often encounter when photographing buildings from ground level. Generally speaking, I use it to correct vertical lines. In this short movie, you can see exactly how it works.
Not only does this tool work well, it's not difficult to figure it out. And just like everything else in Capture One Pro, it's non-destructive. So you can go back at any time to readjust the picture. And by using it, you can correct an everyday snapshot such as the iPhone shot below into a pretty nice photograph. But once I have the basic image the way I want, I then like to move my favorites over to Luminar for the finishing touches.
Here's an example from Maui. Image by Derrick Story. There are a variety of ways to do this, but I go the old fashion route by processing the RAW in Capture One, applying my basic edits, exporting a full resolution Tiff, then opening that file in the standalone version of Luminar I then save the working file as a Luminar document. Each application has its own strengths. And when you take the best from each, image editing becomes really powerful, and quite fun. It's fun, and I promise, you will learn a lot.
One of my favorite new features in Capture One Pro 11 is redesigned layers. Now, you can access them in practically every adjustment tool, and we have plenty of powerful, yet easy to use masking tools for localized edits on each of those layers. If you haven't experienced them yet, I have a treat for you. Here's 5-minute movie that introduces you to the new Layers, how to use them, and the tools available within them.
You'll be up and running right away. I received an image request the other morning for a photo that I captured in Those were Aperture days for me, so I went upstairs to the archive room, fired up the Drobos, and launched the appropriate Aperture library. In , I loved Aperture. I thought it was some of the finest software that Apple had designed. But on this morning, I was impatient with it. And for the first time, the interface looked a bit dated.
Then I realized All I had to do was use another machine for a day or so. So I set up a new Capture One Catalog, and initiated the process. Capture One Pro is exceedingly good at this transition. Most of the library structure migrates, sans Smart Albums. Many of the image adjustments carry over as well. And all of the metadata, including my star ratings and IPTC were welcomed in their new home.
A day and a half went by, and the job was complete. At first, performance was a bit funky. So I quit Capture One, counted to 10, then relaunched the app. Ah, much better. And the more I browsed, the better the performance became. All of my shots looked better. That subtle contrast enhancement that's in the Capture One secret sauce really played out nicely with my older photos.
My cropping carried over as well. I recommend that you keep separate Capture One catalogs for your archives. Mine are on Drobos with Thunderbolt connections. Performance is good enough for browsing, enhancing, and exporting older shots. I still have my Aperture archives as well. It's just disk space, and that seems like a cheap enough insurance policy in case something goes wrong. Aperture and I had a wonderful relationship. But for now, Capture One Pro is looking after my archives.
Start with Capture One Pro 10 Essential Training that will quickly get you up to speed with this pro level imaging application. These days, I just pile everything into Capture One Pro, then sort things out in the app.
I can do this because of the terrific C1P tools, with Global Filters at the top of the list. Generally speaking, when it's time to rate images and decide which ones are worthy of editing, I just want to work with the RAW files. There are other options as well, depending on the situation. The Jpegs remain in the catalog, I just don't see them. So then I can go about my business of working just on the RAWs.
Here's a movie that shows this in action. It's a little thing, right? But little things really add up when you're under the gun with finishing off a shoot.
I think a lot of that comes out of social networking. We have those JPEGs on our cameras. We can send them via Wifi to our mobile devises and upload them to social sights.
And then when we're ready to do the heavy work, right, the serious work on our images, then we want to work on RAW files in applications such as Capture One-Pro. So we find ourself having both types of files on our memory cards. Plus, if you bring them both in, you'll have to manage them in the catalog. And that's probably extra work you don't need. So here's how to cheery pick the RAWs only off the memory card. Basically your enable a sort in the import dialog box that separates the RAWs from the Jpegs.
The you select the RAWs only for copying to your catalog. It seems simple once you know the trick. And it can save you a lot of time up the road with catalog management. Most Capture One users have master catalogs with thousands of images. If, however, you want to take a project with your on the road and leave the rest of the catalog behind , it's very easy to do. Once you've exported a project as a catalog, you can copy it to your laptop and take it on the road. If you make changes to the exported catalog, you can integrate them back into the master collection by using the Import Catalog command under the File menu.
Many photographers try to use Spot Removal instead of cloning in Capture One for a very simple reason: they can't find the cloning tool. That's because it's tucked away in the Local Adjustments panel.
Then, someone could tell you that, and you still might not find it. You'll see adjustments for just about everything else - white balance, exposure, etc. Choose New Clone Layer, and now when you select the Brush, it will transform into a cloning tool that works pretty much like everyone else's.
Give your layer a name. Then make sure the brush icon is highlighted or press the B key. Use the bracket keys to control the size of the brush, and Shift-bracket keys to control feathering.
Option-click on the area that you want to sample. Then paint over the area that you want to clone. When you're finished, tap the V key to disable the brush. Another nifty way to go about this is to create a regular Adjustment layer, then change it to a Clone layer by click on the "Adjustment Bubble" that reveals the popup menu.
There are a variety of options in the brushing tool itself that allow you to control the appearance of the mask. And since all of this work is created on a layer, you can turn it off and on by simply unchecking its box in the Adjustments panel.
After a little trial and error, you should get comfortable with Capture One's cloning tool. And now you can save Spot Removal for what it was designed for There are a variety of adjustments that you can apply to your images when you import them into Capture One Pro.
These could be as simple as adding a contrast boost for studio images captured under flat light, or as fun as converting color images to black and white. In addition to the visual adjustments you can make while the photos are importing into your catalog, you can add metadata as well, such as your copyright, contact info, and descriptions. I walk you through the steps in this video. Keep in mind that any adjustments that you apply on import can be further tweaked, or removed, while editing in Capture One Pro.
C1 is totally non-destructive. What is nice about this technique is that you can save yourself post processing time on images that have been captured under similar lighting conditions. Want more? Class is limited to 6, and you can participate from the comfort of your home.
And don't forget about my Capture One Pro 10 Essential Training that will quickly get you up to speed with this pro level imaging application. The Capture One Pro New goodies include master reset, tokenized watermarking really slick , Photoshop round tripping, styles packs, and more. I've added movies to these features in my Capture One Pro 10 Essential training on lynda. Here's a I think the Sign up today!
The news just keeps getting better for Capture One photographers. These styles are absolutely beautiful. This package features 39 beautifully crafted film styles made after real analog film stocks. Rediscover film aesthetics. And that's no exaggeration. As folks would say, "They are going to have some beautiful kids. All 39 film emulation profiles will be added to your User Presets. Following that, simply open an an image and mouse over the different film types, you'll instantly see a preview of each effect.
The workflow couldn't be easier. There are certain tools, that once you learn them, you wonder how you ever lived without them. I particularly like the gradient mask for adjusting the sky in landscape shots. Not only does it make it easy to tweak color, saturation, and tone, I can go back with the brush tool and tailor the mask exactly as I wish. Keep in mind this is my everyday photo management software that can handle this.
Here's a short video that shows how it works. Open one of your favorite landscapes in Capture One, then follow along with the video.
After just a few minutes, you too will be smitten with the Gradient Mask tool. When most photographers think of Capture One Pro, they envision sophisticated color and tonal controls.
And that's true. But it isn't the whole story. Thanks to the just-announced downloadable Styles packs otherwise known as presets , and built-in time saving controls such as Auto Adjust, Capture One can provide quick edits as well as sophisticated color grading. Let's take a look at how Auto Adjust works. And the best part is, as shown in the video, you can turn on and off the adjustments that you want Auto Adjust to use.
Plus, you can set up Capture One to apply Auto Adjust during the import process. Very handy, and there waiting for you to use right now. Unlike trying to adjust skin tones with the more generic white balance setting, Skin Tone in the Color Editor is designed just for portraits.
In addition to hue, saturation, and lightness just for the complexion, you also have smoothness slider that makes everything look just a little better. But the real magic surfaces with the uniformity sliders that help you offset areas of color shift, especially in the shadows. And what a difference these controls make in the professional appearance of your portraits. Take a look at this free training video that walks you through the entire process. This is just one of the videos from my latest lynda.
I focus on portraits and product photography in this course. And there are lots of handy tips, like the magic uniformity slider , for you to discover. Capture One Pro is a powerful imaging application that combines photo management, RAW conversion, and post production all under one well-designed roof. And version 10 ups the ante by adding features such as output proofing and 3-step sharpening. In this course , I embark on an in-depth exploration of Capture One Pro The teaching structure mirrors the design of the software itself, with chapters that step through each of the tabs in the program, from organizing to editing to outputting images.
Capture One Pro 10 -- a professional, robust image editor and organizer -- allows you to handle all of your post processing in the same application that manages your images. In this course, learn techniques for improving your images using Capture One Pro Join Derrick as he demonstrates how to create uniformity in skin tones for professional portraits, use the Curve tool to adjust a specific tone, convert a selected color into a mask, and sharpen specific areas of an image.
He also explains how to speed up your workflow by creating styles and presets, and using variants for different looks. When you wrap up this course, you'll have the knowledge you need to get the most out of the retouching features. If you've wanted to improve your image editing chops with this professional level photo app, then take a look at Capture One Pro Retouching.
I think you'll be happy you did. You can share a Capture One Pro catalog with coworkers on a network, but someone has to be in charge of locking and unlocking it. Yes, catalogs can only be shared if they are locked first.
Once locked, others can view all of the images and download the ones they need. But when it's time for maintenance, the ringmaster must unlock the catalog to work on it. And during that time, others do not have access to it. Here's a video that explains the entire procedure. For the most part, this is good news.
Knowing that you can let an entire workgroup browse and download images from a master catalog is a handy feature of Capture One Pro. Just make sure someone is in charge of the entire operation. My lynda. Of all the cool new stuff in Capture One Pro Showing image edits in Capture One Pro You will see the original image.
Let go of the keys and you're returned to the edited version. Cropping is not temporarily reset, but everything else is. Sometimes it's the small things that make post production easier.
I'm glad to finally have this function in Capture One Pro. More than 5 hours of tips, tricks, and techniques. Plus many free movies using advanced techniques. You can follow all of the tips and techniques that I publish in one convenient spot.
I show you the steps to create a test library, then build the foundation for a smooth transition to Capture One Pro. Here's a short movie that shows you how this works. One of the primary reasons I moved from Aperture to Capture One Pro was because of its robust and easy to use image catalog. Global Filters are just another example of how C1 improves my photography life. If you're running a managed catalog in Capture One Pro, you have the option of customizing file names on import.
I use this feature 99 percent of the time because having both the original image number and additional data makes it easier to keep track of my pictures once they leave the cosy confines of the C1 environment. Capture One handles this task through the use of tokens. They are metadata building blocks that you can arrange in any order. My favorite combination is: Image Name-Job Name. The first token retains the original file number, while the second is an editable field that allows me to include a descriptive word or two in the file name itself.
Here's a short video that shows how I do this. Another way I use this functionality is to add my name to the file name itself when I deliver images to a client. Even though my copyright info is in the metadata, I've discovered that many PR folks don't dig very deeply when using my photographs.
Having my name in the file name increases the odds of a photo credit in the caption. If you're a Capture One Pro user, it's worth building a strategy for enhancing the file names of your images. We're in a bumper sticker society, and the more visible your vital info is, the better. My phobia of color wheels began back in the original Final Cut days. I would look at them, then devise any other method to make the correction.
And it wasn't until Capture One Pro that I overcame my prejudice and learned that they are truly helpful Currently, I'm in the middle of recording a Capture One 10 title for lynda. My existing Capture One Pro 9 Essential Training is very popular, and we wanted to integrate the new features. When I finished the movie on Color Balance, I had to laugh at myself. It's so fun. What was my problem before? So I thought that if you shared my previous phobia, this should help.
Here are the basic controls for each of the color wheels. Start by choosing the Color you want to shift to in the shadows, midtones, or highlights, then fine tune it with the Hue handle. Next, work the Saturation slider until the effect is exactly to your taste, then finish off with Brightness.
It's easy! And the effects are amazing. That will show you the image without your adjustments. Let go of the mouse, and your adjustments will appear again. Start with a simple image to practice. Once you get the hang of it, you'll be visiting the Color Balance adjustment on a regular basis Capture One Pro is one of the most powerful, flexible, photo management applications available.
So powerful, in fact, that you may get lost configuring your catalog for optimal organization.
- Capture Pilot on the App Store
Комната в викторианском стиле, но он ничего не слышал. Стратмор покачал головой: - Больше никто не знает о существовании кольца. Как ей удалось стать столь привлекательной.
- Да. - Вот оно! - воскликнула Соши.
No comments:
Post a Comment